| Atatürk and Turkish Music |
| ATATÜRK and TURKISH MUSIC
Note: In preparing this section, we have benefited from the book prepared by honourable Sadi Yaver edited within the Atatürk series of the Ministry of Culture Publishing Department. |
- A Letter to Atatürk From a Gentlemen Named Mr. Sıtkı
- A March Composed to Atatürk
- A Scene Which Filled Atatürk’s Eyes With Tears
- Atatürk and Bektashi Fathers
- Atatürk and Castanet Concert
- Atatürk’s Dining Table
- Atatürk’s Istanbul Journey
- Atatürk and Little Shepherd
- Atatük’s Memory of Damascus
- Atatürk’s Most Favourite Songs
- Atatürk’s Musical Side
- Atatürk and the National Anthem
- Atatürk’s Remarks
- Atatürk’s Understanding of Music
- Atatürk’s Understanding of Music and Comment
- Atatürk Wants to Listen to the March
- Atatürk Wants to Listen to the Music Concert Held for the King of Jordan
- Atatürk and Zeybek Folk Dance
- Broadcastings Outside of TRT
- Comment
- Conclusion
- Dr.Şükrü Şenozan’s Speech on Music
- Entertainment Music in Our Country
- Examination
- Fatherly Atatürk
- In the Presence of Atatürk
- In The Presence of Atatürk for the Second Time
- Market Music
- Memories of Ankara
- Mr.Mesut Cemil Narrates
- Polyphonic Music
- Polyphony in Music
- Summary
- The Afghan Queen and a Kind Gesture of Atatürk
- The Concert Feast for the King of Jordan
- The Ney Player of the Presidency Fasıl Music Group, Mr.Burhanettin Ökte’s Memories
- The Only Music Concert that Atatürk Honoured
- The Position of TRT
- The Prohibition of Turkish Music
- The Report Presented to Atatürk
- The Transition to Latin Letters and Atatürk’s Fastidiousness
- The Turkish Nation’s Love of Atatürk
- The Unison Chorus and a Conductor’s Style
- The Yacht of Söğütlü and the Lyrics of a Song
- Unisonic Chorus System in Classical Turkish Music Groups (Fasıl)
- Western Musicians
- Why Did Atatürk Say “This Music Is Far From Expressing Our Enthusiasm”
